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一直作為米路斯．(⛲)科(kē )曼劇本鐵(📒)三角（另(🔼)一(yī )位是帕培錫，也是本片編(🍥)劇之一）成(🆖)員的(🐉)艾(🛤)雲．巴薩，當(🐮)然也(yě )走低度戲(xì )劇(👋)路(⏬)線。同是音樂家的彼德與卡洛(luò )老友重逢，生活(huó )狀況(🕯)大(👁)不同，你有伴侶我有家庭(tíng )(🕌)，然而都(dōu )有說(🗑)不(😚)出(🍮)的不(🙁)明(😻)朗，唯有以酒(🕕)與音樂代替(tì )口水。全片推展不(🔩)問(wèn )目的，只在剎那(nà )間的意圖，行行企企比起科曼更(gèng )義(yì )無(wú )反顧，卻有(yǒu )生活(huó )淡如(rú )流水(shuǐ )的詩意和繆思(sī )，叫觀(guān )(🤷)眾聯(🧤)想到(dào )二十年後(hòu )的伊力．盧馬。巴薩(🐀)鍾(zhōng )愛音樂的程(🕯)度不(👣)下於文字和(hé )電(💹)影(💔)，古典音樂(🛎)與民間(🐾)音樂於全(➡)片迴轉迴(huí )盪，難怪(🤷)成了(le )奇(qí )(💅)斯洛夫斯基十大心(🔈)愛(ài )電影之一(yī )。 (🤔) (📧) 康(🤥)城影展青(👌)年評審團(tuán )獎，美國(🥅)全(quán )國(guó )影評人協會特別獎(🔙) 這(🖍)部1966年的珍品，是捷克新浪潮短(duǎn )暫生命(🍺)中最(zuì )佳作品(⏺)之一。成名(❓)音(📬)樂家(jiā )到小(🎴)鎮(zhèn )探訪舊同學，舊(💁)同(tóng )學是個窮音(yīn )樂(lè )教師，有時在喪禮(🐌)上吹(chuī )奏(zòu )(💛)樂曲(qǔ )。平凡的素材在(zài )巴素手裡(lǐ )，變出風趣(qù )復罕見(jiàn )的旋律，一(🌒)部(bù )憂鬱的喜劇，或(huò )(🕌)灰色喜劇(🔮)。 - Dave Kehr, Chicago Reader (🔰) Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards (🛤) (💒) Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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